Ed Ulbrich shows how Benjamin Button got his face | Video on TED.com – A look at Digital Domain's process for creating the fully CG performance of Benjamin Button's head for the first hour of the film. Using high-resolution 3D scanning and the F.A.C.S. methodology they developed a template for creating a digital library of facial components that could then be animated using the actor's actual facial expressions.
Universal/TuneCore deal opens major doors for indie artists – Ars Technica – By offering their marketing services to independent musicians on a fee basis with no transfer of rights required, Universal Music Group is basically turning into a music marketing agency. The decline of physical distribution (for which labels were gate-keepers) and the ascendency of relatively open digital channels coupled with the elimination of barriers to entry in production costs means that mainstream marketing is really the only differentiated competency the labels have left. Universal's recognition of that and this play to those strengths is a smart move. It will be interesting to see if other labels (and ultimately studios, who are subject to the same technological market shifts) will follow suit.
Bugatti Veyron 16.4 Grand Sport | Wired.com Product Reviews – Great review of the new $2.1M Bugatti convertible: "The acceleration is so immediate you can feel your eyeballs deform under the G-forces. It's a sensation of isolationist joy, an out-of-body awareness that you're moving faster than the world can react. Bystanders vaguely remember seeing a flash of expensive paint a few seconds after you disappear over the horizon; entire generations of insects die on your prow. Passing other motorists becomes a dangerous entitlement that has you resenting oncoming traffic for hogging your "VIP lane" — especially when you realize that you can outrun not only the 5-0's cruisers, but their helicopters, too. If they wanna catch you, they're gonna have to dust off Airwolf and drag Jan Michael Vincent out of rehab."
Sorry, There’s No Way To Save The TV Business – A clear and concise overview of how the incumbent stakeholders in the TV business are oblivious to the fundamental changes being wrought by delivery of video over the Internet and how this rising tide will ultimately wash away the strategic underpinnings of their legacy business models, which ultimately cannot be translated to this new world.
Not safe for work: And we’ll tweet at the end of the tour | Technology | guardian.co.uk – "Looking around the hall at the same-old-same-old faces of microblogging – the people who have been around long enough to have usernames like @amanda and @drew and @mario – all given just enough stage time to remind everyone how awesome their little corner of Twitter is – I realised that 140 Characters was never supposed to be a conference about "the state of now" at all. Rather it's a conference about the state of "then". A conference designed to bring together those of us who have been using Twitter since the start and who now feel like we've lost control of it to celebrities like Aston Kutcher and Oprah. A chance for us all to sit around and talk about the good old days when Scoble and iJustine still mattered a damn and where having 50,000 geeks following you was the pinnacle of success…Or to put it another way, 140 Characters was like a meeting of Twitter Early Adopters Anonymous."
These are my Delicious links for June 12th through June 15th:
Topspin » Twitter Emerges as a Viable Direct Marketing Channel – An examination of how Twitter is helping artists using Topspin go direct-to-fan. Using awe.sm, the Topspin + SAM crew were able to establish that 22% of traffic on the first day of Jimmy Eat World's latest album release came from Twitter and that accounted for 20% of the sales. The emergence of Twitter as a meaningful traffic driver has been complicated by the difficulty in tracking its impact. But with awe.sm, publishers like Topspin artists are now able to really see the impact that social media channels like Twitter are having.
BBC NEWS | Entertainment | Bands ‘better because of piracy’ – Interesting take on the impact file sharing has had on the development of music artists in the 'post-Napster era'. One could argue that increased exposure to a broader spectrum of music during artists' formative development may diminish the need for conventional A&R. One more reason the labels' legacy cost structure may be increasingly unnecessary.
Why Advertising Is Failing On The Internet – The title of this piece is a bit of a red herring, and some of the arguments may be somewhat inflammatory. But I agree with the underlying premise, which is that the dynamics of the Internet are exposing the inherent flaws in conventional interruption marketing aka advertising. As a result, the author, a Wharton professor, argues online advertising will not be able to provide a broad-based revenue model to support the majority of web companies as commonly expected. He should have stopped there, but then goes on to examine other potential revenue models in a manner that detracts from his core point IMHO.
Constructive Capitalism – Umair Haque – Daytona Sessions vol. 2 – A very in-depth (and thus long) talk by Umair Haque on the transition from 20th Century economics to 21th Century economics, which he calls Constructive Capitalism. He makes a lot of the same points as in his BRITE talk, but arguably less concisely.